Washington National Opera's APPOMATTOX:"...Robert Wierzel’s shadowy lighting reinforced the elegiac quality of Act I and the continuing unrest of Act II."

Wall Street Journal:

‘Appomattox’ Review: The War We’re Still Fighting

In Philip Glass’s opera, Robert E. Lee’s surrender was only the start of the struggle for equality in America.

“…Robert Wierzel’s shadowy lighting reinforced the elegiac quality of Act I and the continuing unrest of Act II.”

Designers Mentioned In This Post

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Allen Moyer’s spare set — a kind of rough-hewed wood proscenium and some other shifting elements — is visually enriched with projections by Greg Emetaz.

"On Monday, for the first time in its 138-year history and as it returned from an 18-month closure, the Metropolitan Opera presented a work by a Black composer: Terence Blanchard’s “Fire Shut Up in My Bones.” MET Debut for Greg Emetaz, Projection Designer.

TheaterWorks Hartford -‘Walden’ Review: Getting Away From It All Amy Berryman’s three-character drama. Alice Tavener, Costume Designer

Glimmerglass Creates Magic in Its Own Backyard

Robert Wierzel, Lighting Designer - SONGBIRD; IL TROVOTORE; WAGNER CONCERT and Amith Chandrashaker, Lighting Designer, THE PASSION OF MARY CARDWELL DAWSON.

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