“David Barber’s set is simply astonishing, and one of the best I’ve seen in a non-musical play this year. It’s a forest glen, complete with smashed up Model T and what appears to be a functioning campfire.”
“David Barber’s set is simply astonishing, and one of the best I’ve seen in a non-musical play this year. It’s a forest glen, complete with smashed up Model T and what appears to be a functioning campfire.”
The Look Behind The Look Podcast featuring Oscar Winner Designer Mia Neal, Hair Designer for the movie Smashing Machine
The challenge for Montana Levi Blanco, the Tony-winning costume designer for John Adams’s oratorio, was how to keep straight so many Marys.
"On Monday, for the first time in its 138-year history and as it returned from an 18-month closure, the Metropolitan Opera presented a work by a Black composer: Terence Blanchard’s “Fire Shut Up in My Bones.” MET Debut for Greg Emetaz, Projection Designer.
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