Check out the interview on Dance Magazine’s website, here.
This ‘Othello’ Is Powered by Women… by Sonia Weiser.
Check out Stage Direction’s wonderful interview with set and costume designer Valérie Thérèse Bart about the process of collaborative design and how being a woman of color impacts her experience as a designer.
See the full list of nominees and winners here.
Congratulations to Sound Designer MATT KRAUS on his 2018 Creative Arts Emmy Award in the "Outstanding Sound Mixing" category for his work on Disney's Broadway Hits at Royal Albert Hall!
Congratulations to Summit’s 2018 DRAMA DESK AWARD nominees! LOUISA THOMPSON, Scenic Design, IN THE BLOOD; AMITH CHANDRASHAKER, Lighting Design, THE LUCKY ONES; COOKIE JORDAN, Hair & Wig Design, SCHOOL GIRLS; OR THE AFRICAN MEAN GIRLS PLAY; CHARLES G. LaPOINTE, Hair & Wig Design, SPONGEBOB SQUAREPANTS, BRENDAN AANES, Sound Design, BALLS
Check out all of Susan’s tips for Rosco SPECTRUM and production photos online, here!
Check out the New York Times Review: What if ‘Until Death Do Us Part’ Means a ‘Hundred Days’?
Congratulations to Summit’s Matt Otto (sound designer) & Edward T. Morris (set designer) on their work in The Barrow Group’s ABIGAIL’S PARTY, a NYT Critics’ Pick, and read the review here:
Congratulations to costume designer Judanna Lynn and lighting designer Christina R. Giannelli on the opening of their gorgeous, seductive Dracula at the Alberta Ballet!
“Starburst chandeliers descend and rise. (The lighting, by Bradley King, and the half-period/half-punk costumes, by Paloma Young, are terrific”)
Please note that we are Summit Entertainment Group, the Talent Agency and not the film company Summit Entertainment LLC!