‘A Gentleman’s Guide to Love & Murder’: Knocking off the relatives, tunefully
Hunter Parrish, Douglas Hodge & More Tapped for The Pirates of Penzance at City Center
Looking the Part: Costume designer Devon Painter has worked wonders in dressing Banks and Panfilio in full-body lizard suits featuring greens, browns, scales and tails; Jessica Lanius’ choreography sharpens the distinctions between them and the play’s human couple.
Now in previews at the Signature Theatre – A.R.Gurney’s Love & Money.
Cass Morgan’s THE ROAD TO WHERE explores A new definition of home.
“I am loath to tell people to mortgage their houses and lease their children to acquire tickets to a hit Broadway show. But “Hamilton,” directed by Thomas Kail and starring Mr. Miranda, might just about be worth it — at least to anyone who wants proof that the American musical is not only surviving but also evolving in ways that should allow it to thrive and transmogrify in years to come.”
New York Times ArtsBeat Collegiate Chorale, Under a New Name, Is Teaming Up With City Center
FIRST LOOK: Betty Buckley and Rachel York as the Beales in Bay Street’s Grey Gardens
The Wall Street Journal: Glimmerglass Festival Review: Celebrating 40 Years
The Wall Street Journal: ALLEGIANCE, A New Musical
‘The Wreckers’ (Friday and Sunday) Bard College’s SummerScape festival presents the first American staging of this politically astute opera about piracy, love and betrayal on the Cornish coast by Ethel Smyth, a trailblazing composer and suffragist.
Congrats to all the New York Musical Theatre Festival (NYMF) collaborators.
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